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It uses native Ableton plug-ins to mimic the sound and behavior of an old-school Space Echo type tape delay. I based my rack on one someone else created, though I can’t for the life of me remember who it was. Large Factory preset on Ableton’s native Reverb (all plug-ins I use The channel is set to monitor incoming signals, and I route the You can access this setting byĮxpanding the plug-in and selecting your key track in the sidechain Look at the second green line from the top in the Macros section – this is the setting you want!Ĭompressor keyed by the ghost kick. This tells Ableton that if the macro is set to 0, the effect is Just make sure you set the min/max to 1 –ġ27. The Device On button of the delay and reverb to their Dry/Wet You can set this up as an automatic action easily by mapping Minimize latency is to deactivate the effects when they are not being The Beat Repeat is not to be abused,īut it provides a nice, glitchy touch when called upon. Originally designed specifically for vocals, I find this rack also Rack featuring Auto Filter, Beat Repeat, Delay, and Reverb.
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I called it Standard FX when I created it.
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All I set here is aĮffects rack next to perhaps the Dub Delay (available for download Really need much in terms of effects here. With the synths sits inside this effects rack.
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Rack featuring Auto Filter, Phaser, and Flanger. Soft synth rack with selectable patches – We’ll go into this in a later post! It’s very similar to setting up the LPD8.
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Release a full post on how to create that virtual device, but it’sĪ bit deep for the scope of this article. Set up in order to have multiple synths and synth patches I couldĬall up in-set without dropping them in (again, BAD IDEA). The FXĪmount knob controls the level of the wet signal. Signal and a high-passed wet signal running in parallel. Sidestep this problem, I created a dual chain rack with the dry You generally do not want your lowįrequencies delayed – it will only sound messy and muddy. Interesting because I created it specifically to add delay to the topĮnd of the bass sound. Small effects rack I created for a delay. Since the goal is minimal latency, run minimal effects – particularly on your incoming sounds.ĭifferent because I run the external instrument plug-in within a The time is miniscule – measured in milliseconds – but it manifests as latency. Ableton also has to compensate by pushing back any internal sounds in order to keep the external and internal sounds in sync. I stay away from any additional effects because the more effects you run on a monitored channel, the more time it takes to process the incoming signal before sending it back out again. This is simply so I don’t accidentally clip my signal if it’s coming in too hot. I set the limiter with a ceiling of about -1dB. TR-8 andĮlectribe each have great on-board effects, so I run one single Electronic instruments: Roland TR-8, Korg Electribe 2, and Novationīass Station 2.